With our malaise of yesterday diminished we were out early to visit the Brandberg mountains just west of Uis with the highest mountain in Namibia with its highest peak, Lonigstein, being approx. 2600m above sea level. However, today we were not here to hike this single mass of granite but to visit prehistoric rock art.
We are getting blaise about driving along the dusty gravelled roads now and made good time to be the first visitors of the day. Immediately, we were greeted by the security guard in the newly constructed shady parking area and we filled in the usual personal details before being allowed to make our way to the kiosk to pay the entrance fee, which included a guide. Again we had to fill in the same details here and introduced to Patricia, our guide who would accompany us around the rock art and provide explanations of them.
The walk to the “White Lady Painting” would take roughly an hour and this gave Yvonne plenty of time to chat with Patricia who had worked here for 6 years, was 27 years old, engaged for 10 years, had two girls 10 and 3 both who lived with her grandmother in Uis town. Her fiance also works as a guide here and they have built their own home slightly away from work, in a small community, many of whom work in a nearby tourist camp and lodge.
She had attended a one week training course run by the National Heritage Council of Namibia, funded by Norway and the UN, and on passing the exam, was now a qualified guide and able to guide at any other of the Heritage sites around Namibia. She told us her hobbies were cleaning the house, washing and reading books especially to gain more knowledge about the geology of Brandberg mountain area. She hoped to start her own business to provide a local shop nearby for people who were unable to get to Uis ‘town’.
Clearly very fit with her daily workout climbing over rocks and speedily walking across the dry river beds we arrived at the famous rock art cave, where she imparted her knowledge of the art. Back in 1917 two Germans, one named Maack, were surveying the mountain. They climbed to the top and upon coming down they took shelter under an overhanging rock. When Maack awoke the next morning he saw the white painting and made a sketch of it. This shelter is referred to as the Maack shelter. He later made copies which were published in a book on bushman (San) art and this was how the “white lady” was introduced to the outside world.
On a visit to Cape Town in 1929 the white painting came to the attention of a Frenchman. He studied the drawing and hypothesized that the figure was that of a female. Hence the name “White Lady”. In 1948 he wrote a paper which was published in the South African Archaeological Bulletin which provoked international debates on the origin of the painting.
We were the first to arrive at the overhanging rock and Patricia explained the lady is infact a man and as we knelt closer to the rock face we could follow her explanations. The painting depicts the performance of a ritual dance by a group of people. The central figure is, in fact, that of a shaman (medicine man) who had danced so vigorously that the ashes from the fire had stuck to the sweat on his legs, hence they are white. It is thought the inhabitants of the Brandberg were San hunter-gatherers and that the paintings originated from them. The medicine man was called upon to perform dances during times of drought or illness. It was also believed that some of the animals had mystical powers and during these ritual dances the shaman would take on the figures of these animals - there were paintings of giraffe, springbok, wildebeest and leopards.
We spent a long time here and only moved on as we were interrupted by a call from another guide with his clients waiting to come up to visit. We came away and met up with this guide who Yvonne, by some strange womanly wiles, informed Patricia was her fiance, yes? They both giggled and we chatted about how many goats did he have to give her family to allow him to take Patricia away and could he afford any more wives. He left with his clients and Patricia informed us there were more rock art paintings to see higher up the mountains and she would be willing to take us there. Of course we accepted and she quickly advised us how much extra we would have to pay to visit.
She took us higher scrambling over huge granite boulders, squeezing through gaps in the rocks and pointing out the various lizards, beetles, hyrax and fresh leopard footprints as we passed them. Unfortunately she told us we probably wouldn’t spot the elusive desert elephant here, something we had been very keen to see as they are smaller and with thinner legs than the regular African elephant. It was getting hot and as we arrived at the next site we were thankful to rest in another overhanging rock. This painting was well preserved with the red, white and black colours of clearly distinguishable animals, hunting men and two very prominent giraffe who were surrounded by patterns depicting heavy rainfall, for which they are associated. Patricia took us further up to visit two more sites with similar stories of zebras and water buffalo. Clearly in the past this area had been very well supplied with water for all these animals to be depicted here.
With hunger and heat kicking in we made our way back, Patricia proficiently leaping from boulder to boulder in her canvas shoes whilst we trudged back getting very hot in our hiking boots. During our circuit Patricia had explained about the various tribes in Namibia, their different cultures and languages. The click languages are different between them and she demonstrated the four click sounds of her native language. Obviously we made her laugh as we tried to emulate her but lacked the tongue dexterity to make clucking, tutting and clicking sounds. Back at the kiosk Patricia requested payment for the extra tour and we were very surprised when she declared that money was for her and the price she gave us was for each site and per person and before we knew it we had handed over quite a large sum of money to her.
She then had a short exchange with the security guard and advised us his wife had called him as a herd of desert elephants were close to his house. Did we want to go to see them? Of course we did and she promptly jumped in our car and we were following her directions across the desert in our 2WD with fingers crossed for around 6km. We passed her home not stopping as she was keen for us to get to see the elephants. Stopping a few times for her to shout to neighbours to ask where were they, we followed vague arm waving directions until we arrived in the local lodge and camping site. A few campers had also spotted the elephants and we followed them around in the car until we had a clear viewing of the herd who were busy stripping trees, taking dust showers or just quietly standing in the shade of the trees. During this time Patricia had plugged her 1990’s Nokia phone into the car’s usb charger and was busy phoning her family and friends for very loud clicky conversations.
As usual we spent ages just watching the herd and Patricia was beginning to get restless, as obviously she should be back at work and not earning a few extra dollars with tourists. Complaining she was getting hungry after not having had breakfast we took the hint and drove her back to the art rock site kiosk stopping on the way to visit her home which she was clearly very proud of. She dashed inside to tidy up a bit before letting us through her new wooden fence and gate. They had two rooms, a bedroom and a kitchen made from intertwined sticks with cow dung used to fill the gaps and the roof was a piece of corrugated iron. The kitchen did have an ancient cooker and chest freezer both running off bottled gas and both looked as if they had been recycled from a refuse site. She had no food in the house and they carried their water from a borehole about 250m away.
We arrived safely at the kiosk and whilst she wrote down her contact details for us to keep in touch through Postbox 27, Uis, Namibia, Glenn dug out a few more dollars to give her, at which, Patricia looked quite displeased with the amount and asked if it was this for the elephant trip. We confirmed it was and she turned around and walked away without a backwards glance. We thought she’d done alright for bunking off work and sitting in our air conditioned car for a while.
We then sped home for a long drink and a nap - well, we had been up early!
Hunters and prey |
The eponymous white lady |
Yvonne and Patricia between caves |
Giraffes bringing rain |
One of the many lizards |
Desert elephants - mother and calf... |
... mum takes a dust bath - one benefit of the desert |
Yvonne and Patricia at her house |